Works on marble
Engraved Carrara marble, oil paint
Lucio Salvatore, Arte Capital, Rio de Janeiro (2016)
Composition of Eleven Dollars (2016)
Lucio Salvatore, Chão, Arte Capital , Rio de Janeiro (2016)
Artwork’s detail
Lucio Salvatore, Arte Capital, Rio de Janeiro (2016)
Composition of Eleven Dollars
Lucio Salvatore, Jardim Botanico Rio de Janeiro, 2008
Lucio Salvatore exhibition celebrating 200 years of Jardim Botanico, Rio de Janeiro
Lucio Salvatore, Jardim Botanico, 2008
Lucio Salvatore exhibition celebrating 200 years of Jardim Botanico, Rio de Janeiro
Lucio Salvatore, Jardim Botanico, 2008
Lucio Salvatore exhibition celebrating 200 years of Jardim Botanico, Rio de Janeiro
Lucio Salvatore, Jardim Botanico (2008)
Lucio Salvatore exhibition celebrating 200 years of Jardim Botanico, Rio de Janeiro
The Form Game, 2015
The Form Game #7, 2015
A set of stones, a mirror, a plate with the rules of the game,
42 photos of the sculptures created by the students of Escola Municipal Marechal Esperidião Rosas
Fragmento Exhibition, Centro Cultural Correios, Rio de Janeiro
540 x 170 cm
Lucio Salvatore, Fragmento (2015)
Opinião 15, (2015)
In 2014, during the Brazilian presidential elections campaign, Salvatore acquired, on a weekly basis, a series of political magazines.
He replaced the covers and back-covers, rewrote all their texts, both news and publicity, unformatted on white pages, with none of the images published.
Salvatore then put the magazines back in circulation in the stands where they were purchased.
In 2015, during the exhibition Fragment
that lasted one month, on a weekly basis, Salvatore replaced in the windows of the iconic Piauí newsstand in Rio de Janeiro with the manipulated magazines (Opinião 15).
Opinião 15, (2015)
In 2014, during the Brazilian presidential elections campaign, Salvatore acquired, on a weekly basis, a series of political magazines.
He replaced the covers and back-covers, rewrote all their texts, both news and publicity, unformatted on white pages, with none of the images published.
Salvatore then put the magazines back in circulation in the stands where they were purchased.
In 2015, during the exhibition Fragment
that lasted one month, on a weekly basis, Salvatore replaced in the windows of the iconic Piauí newsstand in Rio de Janeiro with the manipulated magazines (Opinião 15).
Any Marging (2015)
Any Margin is a project where central is the questioning of the margins and frontiers.
On May 5, 2015 during the first day of visit to the 56th Venice Art Bien- nale, the artist wrote the word marginal (450x110cm) on the ground at the entrance of the Biennale’s Giardini, using the same typography of the artwork Seja Marginal Seja Herói by Hélio Oiticica.
The word was canceled by the passage of the visitors invited to the Okwui Enwezor’s political Biennale opening-day during the 8 hours of the event, the time of the artist appropriation of the art community flow.
1182 Manipulations (2015)
1182 Manipulations, 2015
1182 black squares, cotton paper, artwork rule. Square composition created by the public
of the exhibition Fragmento, Centro Cultural Correios, Rio de Janeiro
1000 x 280 cm
Ilhado, 2014-2017
Ilhado (Isled),
Video, 8’23”
Lucio Salvatore, MAM Rio de Janeiro
Lineage, 2008 to present
Lineage, 2008 to present
Lineage, 2008 to present
Lineage, 2008 to present
Installation, Paintings, Oil on Travertine marbles, brass plates
Lineage, 2008 to present
Lineage, 2008 to present
Installation, Paintings, Oil on Travertine marbles, brass plates
Lucio Salvatore | #MAM70anos
Lucio Salvatore, Museum of Modern Art of Rio de Janeiro (2018), MAM Rio
Lucio Salvatore | Metaelementi | #MAM70anos
Lucio Salvatore, (2018) Museu de Arte Moderna MAM Rio de Janeiro
Lucio Salvatore | Metaelementi | #MAM70anos
Post-Ar de Tropicalismo (2018)
Controvalori, 2017
Oil paint on Amethyst druzes, wooden bases
Apagões, (2004-2017)
Oil of photographic prints
Mezzo, 2017
Oil on glass, 165 ml of water
É Pão É Pedra, 2017
Oil on bread containing stones inside.
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